"Usually, the half halt should be invisible to the eye--not only because it looks good, but also because it doesn't disturb the rhythm and flow of the horse's movement." ~ Oded Shimoni
If you don't train for self carriage at the gallop, and instead attempt to hold your horse with a strong contact the whole time while on course, you will probably get really tired by the end of a long course, and your horse's mouth will become more and more "dead", and less and less responsive.
"For a horse to be in balance, it has to be relaxed which is why it must not be compressed. To cease the aids does not mean to leave the horse on its own but to keep the contact while doing as little as possible." - Nuno Oliveira
Remember that what you do habitually will feel normal to you, whether it is right or wrong. This is why riders at all levels need good eyes on the ground.
Trainers, and farriers… these are two very important people that will make or break your experience in the horse world. The right trainer is the key to your success with riding, and the right farrier is key to your horse's soundness.
Generally a good, smooth, clean show jumping round happens when you have the right quality of canter, and your horse is rideable and adjustable between fences. If your horse is lacking in rideability or adjustability, it does not matter how great the canter is that you start off with - as you will find that the quality of your canter will likely diminish as your round goes on. And because your horse is not easily adjustable, you will probably be unable to truly fix it while on course.
I will start by defining and discussing the difference in the meaning of the two terms, and will then give you an exercise that will show you exactly how much of either quality your horse currently possesses! This exercise can be adapted to suit all levels of horse and rider, and all disciplines of riding. (Click on Article Title above to read full entry)
"May every rider strive for a better connection with his or her horse by observation, closer understanding and patient groundwork. It matters not what discipline is pursued, only that there be a perfectly balanced union between the two – man and horse – so that the two become one." ~ Frederic Pinon
"The horse has to learn to look after himself, otherwise I might as well get off and just chuck him over. And I’m not that strong. I don’t go to the gym." ~ elite show jumper Ben Maher
So our balance seems to be getting better because Ranger no longer feels the need to run into our departures. We can’t quite get one from a walk, but we can from a very slow jog. Now we are working on keeping consistent contact through them. To the left he actually is doing a lot better, but to the right, he uses his head and neck for leverage to pick his front end up when he makes the transition. Most of the time, he is really good and consistent with the contact up until that step off into the canter, so I can’t really abort the transition. Any advice? (Kayla)
Hi Kayla!
Glad to hear that things are improving, and your horse no longer runs into the canter! That kind of progress is always rewarding, isn't it?? When horses try to hollow in upward transitions, it is usually because... (Click on Question Title above to read full answer)
"Riders tend to lean back and pull on horses who are rushing, which makes a bad situation worse. When you pull back against your horse, he will usually invert, drop his back and lean against your hand. Once he is in this shape, no bit in the world will solve your problem." ~ Jimmy Wofford
"The much more important things to me are the walk and the canter. They’re the two things you can’t change. With the trot, by teaching the horse to have more suspension, you can change the trot. I never worry about how bad the horse trots. I know with my training, I can make it look spectacular. Even a really ugly horse, you can make it look really special. Don’t worry if you have an ugly horse." ~ Charlotte Dujardin
"The most important point is the character. If they are not willing to work with you, then they can have the best quality in the world, but it won’t work. If you go to the Olympic Games, you can see fifty horses that are qualified, all these fifty horses can do the Grand Prix, but the winner is the one who does it at the moment he is asked to do it. He wins with his talent, but he also wins with his brain – this is so very important, the way you live with your horses every day, that you have the horses on your side. Horses must be happy horses, they have to be willing to work for you, you cannot make them work. That’s why in your daily work you must think hard about your horse – how is he feeling? Is he happy? He has to be obedient, but he cannot be squashed, you have to leave him with his personality. Sometimes horses with not such good qualities, they can win if they want to do the job." ~ Jean Bemelmans
Transitions act as a test of your connection. If the quality of your connection is lacking as you begin a transition, it will be particularly evident as you execute it.
You will get the highest level of brilliance from your horse by letting them have as much freedom as possible. Show them what is required, and then leave them to perform as much as possible on their own.
"The goal of all dressage riding should be to bring the horse and rider together in harmony... a oneness of balance, purpose, and athletic expression." ~ Walter Zettl
With young or untrained horses who conformationally have a high set on neck (which is a good trait to have for a jumping or Dressage horse), you have to be particularly careful that you don’t work them in a frame that is too advanced for their strength level. It takes enormous strength in the horse’s lumbar back to carry a rider in a higher frame for any length of time. Ride for too long in a higher frame, and they will get sore in their lumbar back, and often resentful.
"Just as the sculptor at first chisels the future outlines of his work of art with powerful blows out of the crude block of stone, and then lets it develop in increasingly finer detail in all its beauty, the aids of the rider must also become more and more delicate in the course of the horse's education. Every rider should always keep this strictly in mind and especially avoid destroying with crude aids, out of impatience or other reasons, what he has built in his previous work." ~ Alois Podhajsky
A real collected trot should feel like a contained medium trot. Not just slower, with shorter strides - but with enough stored energy and contained power that you feel that all you have to do to get medium trot is release it. And the same for collected canter.
Raise your hand if you get nervous before horse shows!
If you are like many riders, the act of performing in front of others will make you at least somewhat nervous, whether you realize it or not! Don't despair... there IS something you can do to help you deal with this uncomfortable feeling when it happens! Read on to find out what it is! (Click on Article Title above to read full article)
"Riders are very often but mistakenly glad to see their horse arch his neck, regardless of how it is arched (whether too high or too low or behind the bit or stiff). Have you ever seen a horse with an arched but stiff neck, looking as though he were nailed to the bit ? That kind or arch does not imply a horse on the bit." ~ Charles de Kunffy
For those of you with horses that want to "run" into the canter when working on walk to canter transitions (accelerating and taking a trot step or two before picking up the canter), think "halt" as you are applying your aid to canter from the walk.
When the rider attempts to give the horse "support", it doesn't help a horse learn to balance. Instead it gives them something to lean on, and actually USE for balance. Correct and soften, and your horse will learn to balance itself without relying on you to hold them up.
Always keep in mind that you do not necessarily need to slow down to rebalance your horse between fences when jumping. A horse can be balanced at just about any speed. You can also change the shape of the canter stride without changing the speed. And most importantly, the rhythm.
"One can never, I believe, strive for a lack of criticism in riding – because I don’t think that there is such a thing as perfect riding. I don’t think anybody’s performance is beyond some sort of criticism." ~ Tad Coffin
"One of my favorite exercises is three strides of shoulder-in, three strides of half-pass and back again using very small aids. Also helps to do transitions within this exercise." ~ Mistie Cantie
"You cannot get a quality jump with a bad approach – and the quality of your approach comes back to the way you work your horse on the flat. If you get a quality jump from a bad approach then you are a very lucky rider." ~ Andrew Hoy
Despite the best of intentions, many riders have a hard time maintaining the correct hand position when riding. This is often because we have so many different things to think about!
It is one thing to maintain a perfect hand position at the halt, or when riding on loose reins. But when trying to give your horse the aids for various movements, dealing with any imperfections of the connection, or just focusing on another part of your anatomy for just a moment, it is common for the hands to go astray! Here is a highly effective exercise, that will fix any hand position flaw that you may have! (Click on Article Title above to read full entry)
