"You are going to meet a fence one of three ways - short, right or long. Therefore you want to meet it on a stride that the horse can work from - a bouncy energetic canter - then he can add if he needs to and pat the ground, or say thanks for getting me here right." ~ Jimmy Wofford
"What is Feel? Feel is the invisible quality in every good rider who is communicating with her horse in harmony. She can perceive where the horse is during every step because he accepts the rider’s seat, leg and rein aids through the connection. The rider can then communicate with the horse in a stable, sensitive and relaxed manner." ~ Sarah Geikie
"Riders who lean back are driving the horse down in front. If they sit too strong, behind the vertical, then they are pushing the horse down, through and into the hand." ~ Carl Hester
"At its finest, horse and rider are joined not by tack, but by trust. Each is totally reliant upon the other. Each is the selfless guardian of the other’s very well being." ~ Michael Plumb
"First, [the rider] has to be ambitious. Mentally, he has to be well balanced and consistent. He has to be tougher on himself than on the horse. If he gets after the horse too much, he will not get far. One must really be able to push oneself harder than one ever pushes a horse. Then, success will follow…" ~ Ernst Hoyos
Everyone knows that we need our horses to be relaxed to perform well. But that starts with our own relaxation! A rider must be relaxed to give clear and precise aids to their horse, and to set the tone for the horse to be able to relax.
When you realize that you are meeting a jump on a half stride, it can be challenging to keep a calm, clear head! Give yourself something constructive to think about, by telling yourself to just stay still and keep riding your horse's hind legs all the way till the takeoff.
Dressage is natural for horses, but that does not mean it is always easy for them. Since we cannot explain to them why we are asking them to do things that require increased effort, and go against their natural instincts to do things in the easiest way possible - we must handle any inevitable resistances that might show up with patience in a quietly persistent manner.
"The volte is one of the most important movements you can ride. It is teaching the horse to bend in his ribcage, within his body, and then to maintain a rhythm – in the future this movement will become a half pass. We are working on control over the balance of the horse so that it is learning to maintain a rhythm." ~ Ernst Hoyos
"When you are in the Comfort Zone, you can ride without thinking. In the Stretch Zone, you are working on something you can’t do by habit. In the Panic Zone, you can’t think clearly and are paralyzed. These zones apply to both horses and riders. If both horse and rider go into the panic zone, they lose control, and it spells trouble for the future. Some horses go into the Panic Zone very quickly. They need riders who are comfortable." ~ Kyra Kyrklund
"The true joy for the good dressage rider is found in watching a horse develop mentally and physically through successful training. I have seen some amazing transformations in horses. For instance, a horse with poor conformation - one that has an under neck and a back that drops away from the saddle - can be completely changed by developing the right muscles. After proper training in self-carriage, his outline can be beautiful." ~ Felicitas Von Neumann-Cosel
"A spur that is constantly touching the horse's sides does not drive the horse forward but on the contrary, it will make the horse sluggish." ~ Nuno Oliveira
"The most important thing is for the horse to be thinking on its own. Unless you're Michael Jung, you make mistakes and things go wrong. You have to teach the horse the stride isn't always right, the line isn't always right, and that's why we start from trot." ~ William Fox Pitt
"You can't ride rhythm into a horse – they have it – you can only ruin rhythm by bad riding. When you let them loose in the paddock, you see that they move well. When you ride, because there is an argument here or there to get the frame or whatever, you can get bridle resistance and that can create unevennesses, and the loss in the rhythm and the tempo. Only a totally submissive, loose horse can really show perfect rhythm." ~ Clemens Dierks
"As a rider you always want to go on the good side. But you have to do a bit more on the bad side to make it as good as the good side. How many riders want to work the bad side? When I’m teaching, I see everyone wants to go on the easy side. But you don’t want to do so much on the bad side that you then upset your horse." ~ Charlotte Dujardin
"Give. Give so that he offers, so every touch of your leg goes through the whole body of the horse and doesn’t get stuck. Make him carry himself, then after the half halt, you can give again." ~ Stefan Wolff
Groundwork can help build a better relationship between horse and rider. The trust and respect built during work in hand will carry over to your under saddle work. IF you approach it the same way.
"There is one principle that should never be abandoned when training a horse, namely, that the rider must learn to control himself before he can control his horse. This is the basic, most important principle to be preserved in equitation." ~ Alois Podhajsky
"Your horse's desire to go forward must be greater than your need to remind him. But he must stay calm in his mind and loose in his body." ~ Christine Traurig
If you don't give your horse something to do, they might give YOU something to do. Always have a plan for each ride, and keep your horse's mind engaged with YOUR plan.
"Flexibility and self-carriage are the source of the horse's agility. Good turns, which develop its agility, are obtained only by making the horse flexible, putting it into balance, and thus giving it self-carriage. This involves not merely the lateral flexion of the entire spinal column but more so the flexibility of the hind legs. Only the latter enables the horse to perform quick and reliable turns under the rider, since the forehand is able to turn and change direction easily without danger for the health of its limbs only from the always secure support of the hindquarters." ~ Gustav Steinbrecht
"A major consideration concerning the horse’s posture in all lateral movements is the bend in the rib cage behind the withers. For achieving this bend is the foundation for the suppleness of the entire horse. One will never achieve this bend if one rides the lateral movements on four tracks too early, or if one tries to force these movements with crude aids, and if one forgets to reposition one’s legs in the transitions from one lateral movement to another." ~ Borries von Oeynhausen
"It’s important to watch lots of top riders and watch lots of videos. Pick the riders you want to emulate and really analyse what they do. Always have that vision in your mind." ~ Bettina Hoy
After each use of your legs when riding Dressage, you need to think about opening them up a bit and letting them drop down. This will help to keep you sitting correctly on your seat bones.
If you are able to consistently ride good transitions from walk to halt, you have a good, solid foundation for all downward transitions and half halts.
The fastest cross country horses are not necessarily the fastest horses in general, but the ones that are the easiest to set up for the jumps. So keep working on your horse's adjustability.
"The volte is one of the most important movements you can ride. It is teaching the horse to bend in his ribcage, within his body, and then to maintain a rhythm – in the future this movement will become a half pass. We are working on control over the balance of the horse so that it is learning to maintain a rhythm." ~ Ernst Hoyos
"I try and have the feeling when I sit on a horse that I sit in the saddle, and my legs aren’t gripping around the horse — they just hang. At the sitting trot everyone wants to stop themselves from bouncing. What you have to do is let yourself go with the flow of the horse." ~ Charlotte Dujardin
When your horse is messing about with his leads or tossing his head between jumps on course, don’t let it distract you from what is most important - the rhythm and balance of your canter.
"I try to ask the hind leg behind me, then transport with my own body, with my head, and with my position, this power into my hands and into the mouth. Then I have a light connection from behind to the mouth, and I think that’s the point, not going back with the reins, but riding from the hind legs into the mouth." ~ Dorothee Schneider
